Silkworm Paper

If you set the caterpillars up on a surface where they can’t find a corner, they’ll make this stuff.  It doesn’t hurt them, although it probably frustrates their instincts.  After spinning out their silk, they turn into a healthy pupa.

This is the surface of the paper.  One of the things I learned from the first run – make sure the silkworms are DONE pooping, really, are you SURE you’re done, before you put them on the paper.  You can’t wash it out once it’s sandwiched between layers of silk.

This is how I set them up to spin the paper.  There has to be an overhang, so that they cannot crawl down without crawling upside-down, which they avoid.  Once they are done spinning, they turn into pupae, often right on top of the paper; then, I put them down in the bottom.  A few have managed to climb down there on their own.

Here, you can still see the plastic needlepoint canvas through the silk.  As they work on it more, the silk becomes more opaque, and you don’t see the canvas.

This one looks like he’s dancing, or doing Tai Chi.  Notice the little “hemmed” edge – the worms tend to pull the silk back from the edge of the canvas base and then silk over it more.  It really does look like a turned hem.

I washed and ironed the sheet, which made it shrink and wrinkle a little.  I think it looks like leather.

The finished sheet is about the stiffness of paper, although it does have a little bit of a more leathery drape.


If you pinch it, the folds are sharp; it holds a crease well after ironing.  I think it would be well-suited for certain origami applications. I know that some of the tribal women in Thailand use pieces of this stuff for applique on their skirts.  There is a company called LiveSilk that is working on making a commercial product similar to this.

Weaving organzine

Originally published at WormSpit. You can comment here or there.

I borrowed a friend’s Lendrum wheel (Thanks, Christina!) and did some throwing.  The Lendrum’s high-speed head allowed me to get good fine twist, something that had been a problem previously.

All told, this is just over 400 yards of 40d4×2 organzine.

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At the Crow again – but this time, at NIGHT!

Originally published at WormSpit. You can comment here or there.

This Friday, February 20, I’m going to be at the Crow Collection of Asian Art.  I do a lot of demos there, but this one’s a little different – they’re doing a joint presentation with the Dallas Museum of Art’s Late Night program.  So people will be going back and forth to both museums, with hands-on kids projects, Lion Dances, oud music, belly dancing, coffee tastings, wine tastings… and me, reeling silk and talking about silkworms.

I’ll be there from six to ten PM.  Usually, they put me in the second-floor Jade Room… but some of the arranging is still up in the air.  When I was there two weeks ago, I spoke to most of a thousand people in the course of three hours.  For more information, click on either of the links above!  Admission at the Crow is free; admission at the DMA is $10.  If you want to see the King Tut exhibit, that’s extra.

This is the room they usually put me in, but without the benches in the middle.

Lantern Festival at the Crow

Originally published at WormSpit. You can comment here or there.

My silk demo will be on display at the Crow Collection of Asian Art for their Lantern Festival.  The event runs from 10 AM to 2 PM; I’m going to be there from 11 to 1.  There will be lion dancers, lanterns to craft and take home… and of course my smiling face!  Sadly, it’s too early in the season for caterpillars.  Admission is free.

Because the bug IS the feature…

Originally published at WormSpit. You can comment here or there.

Every once in a while, I get this neat synchronicity on my journal reading list.  This time, one of my LiveJournal textiles buddies, Not Just a Girl wrote a post about dyeing with cochineal, and just a page down from it, I found Bug Girl’s extensive post on Cochineal, covering a lot of the uses in food, makeup, and other applications.  For anybody who’s ever been curious about what cochineal looks like on-the-hoof, check it out!

More about cochineal culture, and use in textiles, at insectimages.org

Three-Color Doubleface

Although I’m good at what I do, weaving-wise, there have always been some areas in tablet weaving that have been difficult for me to grasp.  Three-color doubleface has always been one of those.  Thanks to Guntram‘s exquisite work, I’ve been obsessed with it lately.

Tonight, I decided I just had to sit down and plug through it.  After many amusing (in hindsight) false starts, I finally figured out the basics.  I can’t say that I threw it to the floor and made it my bitch… but at least it doesn’t throw ME to the floor any more.  It’ll be a while before I can successfully design in it, I think – plotting where the threads are going to twist which way makes me a little dizzy.

The way in which it resembles couched gold cord makes me very, very happy.

Closer to, you can see the structure a little better – it’s created by just one yellow thread in each tablet.  I can tell this is going to call for some careful consideration of colors – the combination of three colors makes quite a difference in the look of the finished band.

Throwing Thick

Originally published at WormSpit. You can comment here or there.

I’ve been experimenting with making a THICK filament silk, appropriate for knitting.  This is a two-ply, using fifteen filaments (at about 40 – 45 denier per filament) per ply – so the finished yarn is something like 750 filaments thick.  The main thing that I learned from this experiment, is that I want more twist – the yarn looks decent now, but what I want is something with a distinct bead to it. This has appx 3.5 twists per inch, and I think I need more like six or seven.  It’s difficult to tell, looking at the raw yarns, how they will look degummed.

SOAR

SOAR was a total blast. My brain is still staggering under the weight of information received. I met SO many cool people. More info here.

SOAR

Originally published at WormSpit. You can comment here or there.

The Spin Off Annual Retreat was a blast. I had an amazing time, learned a LOT, met fantastic people… and took only a tiny number of photos. It was like going to the yarn store, and pulling a couple dozen of the best books and putting them into a basket… and they magically turn into the charming authors. Meeting all these fiber luminaries was overwhelming. Some of the people I got to meet that you might know: Judith MacKenzie McCuin, Abby Franquemont, Nancy Bush, Deb Menz, Stephanie Pearl-McPhee, Patsy Zawistoski, Sara Lamb, Robin Russo, Amy Clarke Moore, Linda Ligon, Phreadde, Jan Louet, and the other Jan from Louet, Mr. and Mrs. Strauch… and many more that are slipping my mind. I was in total overload mode.

Me and Patsy Z

Me and Patsy Z

I traveled on Thursday. The plane flights were uneventful if a bit crowded, and I got to the Allentown Airport in good time. I got to ride to the site with Elizabeth, who was excellent company and helped to soothe my newbie nerves. The country was hilly and beautiful. We got there just in time to run around and meet some people before dinner. I set up my kit in a lounge, and did some silk reeling on Thursday evening. If anybody has any photos of me, I’d love to get some… I was too busy reeling and talking, to make people use my camera.

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