And To Keep ribbon
I’m working on a project that I want to enter into the Handweavers Guild Show. It’s going to be silk sewing thread (size A), 74 tablets, double-face and brocade.

I’m working on a project that I want to enter into the Handweavers Guild Show. It’s going to be silk sewing thread (size A), 74 tablets, double-face and brocade.

Remember in this entry, I was trying to figure out which of the three spool sizes to use, and I figured that it would probably depend on which ones were easiest to store?
I went to the Container Store, and craft stores, and art supplies stores – and I finally found my solution.

It’s a pastels box. The fact that they look like little artist’s paint sticks, makes me very happy.
I’m still chugging along with the peony. I’m done with the flower, and am now working on the leaves:

Overall, I’m fairly pleased with how it’s going. I’ve certainly learned a lot – and I’m just working forward, leaving the artifacts of my learning process.
I’ve also started taking lessons. It’s a fairly informal situation, with embroideress Elizabeth LaFleur. She studied silk work at the Embroidery Institute in Souzhou, China, and knows a lot of the Chinese methods for dealing with filament silk. She’s taught me a lot already in just a couple of lessons. Some of them were things I never would have thought of; others are ways to fix difficulties that had been frustrating me but I didn’t comprehend how to overcome.

On the left, with the gold eye, is the Chinese needle – it’s amazingly fine. On the right is a #10 embroidery needle that I got from Tanja Berlin; they are not all that much different in size of eye, but the size of the needle shank itself is considerably different. The tiny fine needles make less traumatic holes in the silk ground of the embroidery, allowing me to get crisp, close stitch placement. They’re also a bugger to thread.
Howdy!
The local Guild that I belong to, the Dallas Handweavers and Spinners Guild, has decided to open its semi-annual Juried Show to non-members. If you’re interested in entering, please get in touch! There’s some very decent prize money. The requirements are fairly simple.
You can email me: oakenking@gmail.com
I’ve known for a while that Google was working on a project of making digital facsimiles of books. I have one of them posted in my Silk Library. What I didn’t know, is how MANY books they have now – it’s a HUGE collection. For those of us who are looking at “lost arts” type work, it’s a gold mine. Books from the 1700’s, the 1800’s, and much of the 1900’s, scanned with illustrations, and they’re SEARCHABLE. You can see huge swaths of many books still in print – and if you choose “Full View” in your search options, you can get full, untrimmed scans of books out of copyright. You can switch to a plaintext view, and see the text in Arial font (granted, it DOES occasionally have difficulty with some of the books that have odd type, and you’ll occasionally see “hom” instead of “horn,” and other such OCR type errors) and you can copy and paste passages.
I’ve been searching on various terms related to silk and sericulture, the history of silk, silk industry, etc… and so far I’ve got seventy books corralled into My Library, which has a fixed address that I can go link to, and share with friends. Some of the books are hard-to-find classics about silk, like Dandolo’s “The Art of Rearing Silk Worms” from 1825, or William Kenrick’s “American Silk Grower’s Guide” – some are references in history books, agriculture reports, etc. Need to know how many pounds of silk were raised in 1890 in Missouri? Check the “Report of the Secretary of Agriculture” (page 273). The US cocoon crop for 1890 was over sixteen thousand pounds. Who knew?
I need to go through and put in “reviews” on them, so that I can remember why I chose each book, as well as noting books that have especially interesting bits, which ones are accurate or fanciful, etc.
You can also DOWNLOAD the PDF files, if you want to have the whole thing with you.
It’s just amazing.
Two things… I have been failing to get around to mailing my friend Barbara her bookmark. And, we got a fabulous new scanner at work. So, I took the ribbon in, and did some scanning, and then PUT IT IN THE MAIL.

how good is the scan – behind the cut. Largest image is 972KB
I’ve been working on my Silk Library on WormSpit. I’ve added five books – one a Google book, and the others from the Digital Archives at the University of Arizona. Some of these were scanned from my own collection, others are used by permission.
These are some really neat old books, full of information and in the public domain.
