Complex Weavers prize!
My “To Keep Them Sweet” ribbon won the Complex Weavers Award at the Dallas Handweavers and Spinners Guild Show! I’m very jazzed about it.
I’ll post photos from the show, once I’ve had time to sit and resize them and fiddle with them.
Behind the cut, is information about the piece and the show, so I’ll have it in one place.
Your name: Michael Cook
Name of show/exhibit: “Turn, Turn, Turn: A Time to Spin, A Time to Weave” – biennial juried show of the Dallas Handweavers and Spinners Guild
Date of show/exhibit: Opened April 10, on display through May 25
Title of Winning Entry: “To Keep Them Sweet”
Image of the full piece:
Close-up showing the medallion:
Very close, showing just the moth:
Origin of draft: Entirely original. Because of the technique, this piece has a very simple threading, all tablets being threaded with 2 black and 2 golden threads; all the work is done following detailed
charts which I designed. I created the lettering based on 14th century Textura Quadrata, and I designed the brocade pattern for the moth after an illustration in Luther Hooper’s “Silk, Its Production
Small version of the graphs:
Large version of the graphs:
I actually use a modified version for weaving, where the ground is white and the pattern is colored.
The red lines are just “scaffolding,” they relate the pattern to specially marked tablets that help me keep count.
Threads used, sett, weave structure, epi, etc.: The ribbon is approximately 28″ long, made with 73 four-hole tablets. Warp and ground weft is #50 weight silk filament sewing thread in black and
gold (I dyed the gold, but the black was purchased already dyed) with my own hand-reeled-from-cocoons filament tram for the brocade weft, dyed in two shades of ecru. It’s just over an inch and an eighth
wide, which puts the EPI at about 260 (although this is deceptive because of the layering). Picks per inch is around 54. The lettering is done using a Double-Face design (the back is the reverse
of the front) and the moths are done in surface brocading using a separate shuttle for each of the two colors.
Please describe the piece, technique, inspiration, unusual features, special equipment (if any) and other comments you would like to share:
This ribbon celebrates the humble silk worm and the amusing lengths that seventeenth-century Englishmen went to to raise them. The ribbon is figured with text along its length, and at either end where it adjoins the medallion, decorated with a brocade image of a Bombyx silk moth. The ribbon is decorated with glass beads, and the ends are joined to bronze cast leaves and attached with jump rings to the
At the working size, this pattern needed fifteen pages of chart for the lettering, plus the page of the moth on either end. The gold-plated glass beads were strung on the foundation weft, and pushed forward as needed.
The quote is from a 1607 book by Nicholas Geffe, called “The Perfect Vse of Silk-Wormes, And Their Benefit” – this is a document on how to raise silkworms, from a period when King James was attempting to
encourage domestic silk industry in England as well as in the Colonies. I pulled an excerpt from a longer sentence. PDF of the Geffe book here.
These are images (cut from the PDF) of the passage:
This is what the text of the ribbon says: “…and to keepe them sweet you shal often sprinckle the floore with vineger, after to strew it with some herbes of a good smell, as with lauendar, spike, rosmarie, time, sauorie, pennie royall, and such like: adding some times, perfumes, made with frankencense, beniemin, storax, & other odoriferous drouges, which shall be burnt on coales”. Spellings follow the original, including two spellings of “shall” in the single sentence! Yes, I missed the “e” on the end of “keepe” – it happened very early on, when I was transcribing from the original images of the book, and so every version that I checked my spelling against, it was “keep.” It’s just a mistake, and I didn’t catch it until very late, and there’s no “Weave Out.” Many of the terms are archaic, such as “beniemin” – Gum Benjamin, which is now called Gum Benzoin, is a tree resin with a vanilla-like aromatic scent.
It’s beautiful and I have enjoyed reading about it
Oh, hey, that’s you on the twist-list! 🙂
Anyway, congratulations! It’s well deserved.
Yup, that’s me! It’s a small world, hey?
Congratulations and well done! It is a beautiful piece of work.
Good job! Congratulations!
I always admire your work, it’s an inspiration for me to keep weaving. I’m working on my first double face weave right now. It’s just a shield to embroider someone’s coat of arms on, but I’m still inordinately proud 🙂
Nice! I’ve always thought this would blend well with certain kinds of embroidery, although I haven’t done it.
His arms are a black spear on a yellow field, crazy simple. I tried brocading it on a sample, but it looked funny in the gauge I was working in. Unfortunately I can’t take any pictures right now, my camera is on its way to Ireland with a friend of mine.
Brocading can be kind of fickle… if the grain is too large, it looks too dots-and-dashes, and not enough like whatever it’s representing. And if you get too small, it might not work for the intended use. Looking forward to seeing the embroidered version!
your work is breathtaking. you know that. we know that.
it’s GREAT when you get recognition from beyond, though.
Thanks! Yes, recognition is always lovely – especially when it comes from such a respected source. It feels good to say, “I’m a Complex Weaver” instead of just “I’m a Weaver with a Complex.”. 🙂
Congratulations, you deserve it! This is just beautiful!
It was great to follow along as you created it. I bow to your most excellent excellence 😉 Congratulations on the great honor!!!
looked most excellent then and it still does today. Congrats!!
It really is a lovely piece.
That is so incredibly beautiful, jazzed you SHOULD be! My sorry fingers can barely knit, I am envious in the wistful-wanting way; because to produce such splendor would be such bliss!
“My ‘To Keep Them Sweet’ ribbon won…”
Anybody shocked? Anybody surprised? Heck no! Congratulations on a MOST worthy project and an incredible, incredible result. You is one helluva talented artist!
Re: Complex Weavers prize!
congratulations! that’s well deserved, it’s a beautiful piece.
Re: Complex Weavers prize!
Congratulations, congratulations, congratulations
It is absolutely beautiful and you have every right to be proud.
Congratulations on this well deserved award! It is a beautiful piece. Thank you for sharing all of the details also, as they make it even more spectacular!
If it hadn’t, I’d have cried 🙂
Congrats! You clearly deserve it! That’s STUNNING and so amazing every time I see it.
I’ve just copied and pasted this LJ entry in a mail to Mary C so she can see it as well – hope that’s ok!
Sure thing! I think she reads me occasionally anyway – but never hurts!